Haunted Scotland looks at the increasingly interesting area of on-site live audio interaction, allegedly communicating with spirits or non-physical energies. This is achieved using either modified fast scanning radio device, or the Echovox application, prompting manipulation by any alleged spiritual beings.
In this section, you will find a whole host of such captures, to explore at your leisure. All future work will be placed under the Ghost Voices label.
Frank’s Box makes an appearance in Scotland and our research site, Macduffs Castle. Would we receive any messages from the other side via this original Frank’s Box, owned by our friend Jonathan Garaway? If so, what would they say?
Do Spirit Box Apps Work | 7 Captures From Deep Dark Haunted Caves
The big question within the paranormal community – and YouTube viewers – is, do spirit box apps work? I will show in this video 7 reasons why they do, from a haunted cave, in Scotland.
Some who have not extensively tested and researched what consciousness can do with random noise generation – or other such experiments – have attempted to debunk the practice of using Spirit box apps, spirit boxes and even audio recordings.
In conjunction with the audio capture of a boy apparently singing and reports of some locals who have also witnessed ghostly going-ons at this fantastic location, we have all the conditions for what may be a very active mysterious castle in Scotland.
Linlithgow Palace, situated 15 miles from Edinburgh, lies in a strategic position dominating the supply line between Stirling Castle & Edinburgh Castle.
It was one of the main residences for Scotland’s monarchs from the 15th century, however, after Scotland’s the unification with England in 1603, the palace was scarcely used and fell into disrepair, suffering extensive burning in 1746.
Queen Margaret’s Tower at the top of one of the stair towers, is said to be haunted by Mary of Guise, waiting for the return of her husband, James V.
The following Cam footage and Audio was recorded by Ryan O’Neill of Haunted Scotland during March 2016, full analysis and video creation was by Christopher Huff.